Paintings on Stone examines a fascinating tradition long overlooked by art historians—stone surfaces used to create stunning portraits, mythological scenes, and sacred images. Written by an international team of scholars, the catalogue reveals the significance of these paintings, their complex meanings, and their technical virtuosity. Using a technique perfected by Sebastiano del Piombo (1485–1547), sixteenth-century Italian artists created compositions using stone surfaces in place of panel or…
Paintings on Stone examines a fascinating tradition long overlooked by art historians—stone surfaces used to create stunning portraits, mythological scenes, and sacred images. Written by an international team of scholars, the catalogue reveals the significance of these paintings, their complex meanings, and their technical virtuosity. Using a technique perfected by Sebastiano del Piombo (1485–1547), sixteenth-century Italian artists created compositions using stone surfaces in place of panel or canvas. The practice of using stone supports continued to engage European artists and patrons well into the eighteenth century. This volume reveals the beauty of these works and examines the complexity of using materials such as slate, marble, alabaster, lapis lazuli, and amethyst. Illustrated with more than one hundred examples, and with essays on topics ranging from importing stone to its relationship to alchemy, Paintings on Stone will become the essential reference on this little-studied practice.
Paintings on Stone examines a fascinating tradition long overlooked by art historians—stone surfaces used to create stunning portraits, mythological scenes, and sacred images. Written by an international team of scholars, the catalogue reveals the significance of these paintings, their complex meanings, and their technical virtuosity. Using a technique perfected by Sebastiano del Piombo (1485–1547), sixteenth-century Italian artists created compositions using stone surfaces in place of panel or canvas. The practice of using stone supports continued to engage European artists and patrons well into the eighteenth century. This volume reveals the beauty of these works and examines the complexity of using materials such as slate, marble, alabaster, lapis lazuli, and amethyst. Illustrated with more than one hundred examples, and with essays on topics ranging from importing stone to its relationship to alchemy, Paintings on Stone will become the essential reference on this little-studied practice.
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